Partly systematic and partly random, this cloth was part of an assessment last year. Too hard to find my own words, I liked this from Rebecca Solnit in As Eve Said to the Serpent: On Landscape, Gender, and Art (University of Georgia Press, 2001, p 58)
the artist as collaborator or midwife for a world that already has meaning and order, rather than an autocratic creator imposing meaning upon an inert, waiting world or making a better one out of nothing.
Rebecca Solnit
traces 